Cinque Port dish (mark)
Cinque Port squashed bowl
Cinque Port squashed bowl (mark)
Cinque Ports bear
Cinque Ports boot
Cinque Ports boot (mark)
Cinque Ports bowl
Cinque Ports bowl (mark)
Cinque Ports cache
Cinque Ports cache (mark)
Cinque Ports cups and saucers
Cinque Ports cups and saucers (mark)
Cinque Ports de Bethel bear
Cinque Ports de Bethel bear (base)
Cinque Ports de Bethel bear II
Cinque Ports de Bethel bear II (base)
Cinque Ports de Bethel cat
Cinque Ports de Bethel cat (mark)
Cinque Ports jam pot
Cinque ports jardinière
Cinque ports jardinière (mark)
Cinque Ports jug
Cinque Ports jug (mark)
Cinque Ports lamp
Cinque Ports lamp (mark)
Cinque Ports money-bear
Cinque Ports money-bear (mark)
Cinque Ports monks
Cinque Ports monks (mark)
Cinque Ports pig
Cinque Ports pig II
Cinque Ports pot
Cinque Ports pot (mark)
Cinque Ports tankard
Cinque Ports vase
Cinque Ports vase (mark)
Cylindrical Cinque Ports vase
Cylindrical Cinque Ports vase (mark)
Green Cinque Ports cup and saucer
Green Cinque Ports cup and saucer (mark)
Mermaid Inn dish
Mermaid Inn dish (mark)
Oval Cinque Ports dish
Speckled Cinque Ports pot
Unusual Cinque Ports jug
Unusual Cinque Ports jug (mark)
David Sharp left Rye Pottery in 1956 and formed Rye Art Pottery with his friend George Gray.
The name had to be changed, though, when Rye Pottery threatened legal action. They asserted, probably quite correctly, that customers would be confused by the similarity of the two names and not know whom they were buying from. Consequently Rye Art Pottery became Cinque Port Pottery.
The business was successful. George was the businessman and David the artist, and their combined talents produced a thriving company. In 1958, after the closure of Dicker Pottery, they bought the trade mark. They didn't use it, but more to the point, neither did anyone else.
By the start of the sixties they were using four kilns and employing 15 workers. The partnership became a Limited Company, with another small change of name. They became Cinque Ports Pottery Ltd. The plural 'Ports' was used because that is what most people called them, being more familiar with Cinque Ports as a collection of towns rather than a particular constituent part of the collection.
Despite the success of the company, George's businesslike inclinations didn't match David's artistic and unconventional temperament, and in 1964 they agreed to part company. David helped to acquire new premises for George, and stayed himself at the existing Cinque Ports Pottery premises at The Mint. The two men stayed good friends for the rest of their lives.
George, who retained the Cinque Ports name, settled into his new premises, The Monastery, and started doing the things he found impossible when working with David. He made domestic wares that would sell in quantity, along the lines that Rye Pottery were using. George bought a small pottery in Stoke on Trent to supply biscuit ware to Cinque Ports; space was limited in The Monastery and he thought this would solve the problem. The venture was not a success, though, due to transportation problems.
The business expanded and was successful into the eighties, by which time George was growing old. He had other business interests - a restaurant, and later a gift shop - and decided that it was time to hand the pottery over to a younger man. Jim Elliot took over, trading as Cinque Ports Pottery, without the 'Limited', and later Cinque Ports Ltd, without the 'Pottery'.
The pottery closed in July 2007.
Further Reading: |
The Potteries of Rye, 1793 onwards by Carol Cashmore |