Aladin dish VII (mark)
Aladin dish X
Aladin dish X (mark)
Biørn Wiinblad oriental trinket pot (mark)
Bjørn Wiinblad oriental trinket pot
Group of Rosenthal Studio Linie pieces
James Kirkwood Studio-Linie dish
James Kirkwood Studio-Linie dish (marks)
Pair of Warhol mugs
Pair of Warhol mugs (mark)
Pair of Warhol mugs (signature)
Pair of Warhol mugs (stacked 1)
Pair of Warhol mugs (stacked 2)
Peynet 'Courtship' figures
Peynet 'Courtship' figures (marks)
Rosenthal ash tray
Rosenthal commemorative vase
Rosenthal commemorative vase (mark)
Rosenthal dish
Rosenthal dish (mark)
Rosenthal Flash Love Story bowl
Rosenthal Flash Love Story bowl (mark)
Rosenthal Flash Love Story bowl (side)
Rosenthal fox
Rosenthal fox (mark)
Rosenthal paper bag
Rosenthal paper bag (mark)
Rosenthal Peynet vase
Rosenthal Peynet vase (mark)
Rosenthal Pot with lid
Rosenthal Santa
Rosenthal Santa (mark)
Rosenthal stag beetle
Rosenthal Studio Linie pot
Rosenthal Studio-linie teapot set
Rosenthal Studio-linie teapot set (mark)
Rosenthal Uta Feyl vase
Rosenthal Uta Feyl vase (mark)
Rosenthal Vase
Studio Linie cylinder vase
Studio Linie cylinder vase (marks)
Toucan cup (mark)
Toucan cup and saucer
White Studio Linie vase
White Studio Linie vase (mark)
Wiinblad 'Quatre Couleurs' bowl
Wiinblad 'Quatre Couleurs' bowl (marks)
Wiinblad bowl
Wiinblad bowl (mark)
The first Rosenthal company - a porcelain decorating business - was set up by Philipp Rosenthal (b1855-d1937) Erkersreuth near Selb, Bavaria in 1879. In 1890 the factory moved to Selb and a year later, porcelain being in short supply, a factory was established for the manufacture of white porcelain.
The company expanded steadily in the next ten years, and in the first half of the twentieth century opened new factories and acquired other companies. They were active in the electrical and automotive industries in addition to their traditional field. Art pottery departments were established in 1910 and in 1920.
Because Philipp Rosenthal was a Jew, he was forced by the Nazis in 1934 to leave the company, but the company continued to expand before, during and after World War II. Philip Rosenthal (son of Philipp) joined the company in 1950 and carried on in his father's footsteps.
It has been said that the success of Rosenthal is based on the close attention paid by both father and son to marketing techniques, and the setting up of Studio Departments and Concession Shops in the post-war years paved the way for the Studio Line launched in 1961. Walter Gropius, the founder of the Bauhaus designed a new factory for the company in Amberg in the late 1960s. By the time of the centenary celebrations in 1979 Rosenthal employed around eight-and-a-half thousand people.
Further Reading: | Rosenthal: Service, Figural, Ornamental and Art Pieces by Dieter Struss |